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Amateur and professional artists from all over the nation are invited to submit their landscape paintings. From thousands of applications, eight artists per episode are chosen to paint breathtaking locations from around the country — from beautiful wildlife to historical buildings and landmarks.

The talented contestants work against the clock and at the end of each episode, the judges decide on the best work.

The winner of each episode will go on to compete in the semi-finals and if successful — the final. Up to 50 more artists will descend upon each location to try their luck as wild cards, and if they impress they could also see themselves in the semifinal and beyond.

Watch as 10 four year old children meet for the first time at nursery and interact in unprecedented, intimate detail. Season 6 in production.

Movistar Spain — recommissioned. Back In Wedding Shape Getting fit, sexy and energetic A nutritional coach and personal trainer help unhealthy couples to get back in the shape they were in at the beginning of their relationship.

Over the course of eight weeks, a nutritional coach and personal trainer work on their physical, mental, dietary and emotional fitness.

Training separately at home then at a boot camp they aim to lose extra kilos and experience what it feels like to be healthy again.

In the grand finale, after a month apart, they renew their wedding vows, and showoff their toned physiques, in front of friends and relatives.

Wife Swap The award-winning global phenomenon This format sensation is packed with jeopardy and drama.

It gets to the heart of the way we live by inviting two households to swap wives for two weeks. Every episode begins with the wives arriving at their new homes and meeting their temporary families.

Aided only by an instruction manual left by her predecessor, the wife must spend the first week living according to the rules of the house.

How do people live like this? In the second week expect some big changes as she runs the household as she sees fit.

This ratings hit takes a group of binge-drinking, rowdy young women and transforms them into polite, wellbehaved ladies.

At an authentic finishing school they will be taught that being rude is simply not acceptable and that sticking two fingers up to society will get them nowhere in life.

They should aspire to behave like the elite, but this requires lessons in etiquette, elocution and deportment. After intensive mentoring the girls are thrown into intimidating upperclass environments in weekly challenges, but will they be judged fit enough to remain in the school?

Ordinary people doing extraordinary things In this hugely popular classic game show, members of the public offer to perform some unusual, outrageous or very difficult tasks.

Top celebrity guests then bet on the outcome of the performances and offer a wager, usually a humorous, mildly humiliating or even charitable activity to be carried out if they lose.

We follow the ongoing saga of goals reached and missed, alliances formed and broken and personal limits pushed to the extreme; along with the heartache of some ambitious amateurs missing out and heading home while their former rivals remain, edging closer to realising their dreams.

Singing through absolute mayhem! Tremendous tenors and pitch perfect sopranos are guaranteed to hit all the wrong notes when faced with these dastardly games.

A hugely flexible studio-based show in which celebrity or amateur singers overcome an array of wacky distractions to perform perfect pop songs.

Could you belt out a Madonna hit while being dropped into icecold water? What about crooning a Beatles number with flies buzzing round you?

Welcome to Sing If You Can. These nerves-of-steel contestants give their all to sing beautifully, regardless of what we throw at them — sometimes literally!

First they must choose from different genres and decades; from established hits to fresh new releases. They then take to the stage and sing along with the studio band, as the lyrics are displayed on the game board.

With stacks of cash at stake, can they keep singing when the music stops and the words disappear? Viewers submit their profiles in the hope to take on the host live on stage in front of a pumped-up studio audience.

The two opponents are put through several rounds of head-to-head competition, where anything could happen!

They might find themselves playing soccer underwater, carrying heavy objects across a tightrope, answering quiz questions, racing around a BMX or rollerblade course, fishing for objects using only their mouths.

If the challenger wins, they take home the cash. Airs in access primetime, 6 days a week, 2 episodes back-to-back at 7pm Over 2, episodes produced to date Finished programme sold to over 70 countries and format picked up in over 28 countries.

Can a highkicking eleven year old break more bricks than a champion weightlifter? Can an eight year old identify more countries just by their shape than a geography professor?

This is the ultimate kids versus adults TV challenge show. Watch as fearless youngsters go head-to-head against successful adults from the fields of music, culture and sport.

Will strength and experience tell, or will youthful exuberance win the day? Members of a celebrity panel must decide who they think will win each nail-biting duel; get it right and they earn money for a charity prize fund.

Psychic Challenge The supernatural ratings hit A major primetime success across the world, this national search for clairvoyant talent is essential viewing for believers and sceptics alike.

From an initial casting of thousands, Psychic Challenge identifies 10 people with a substantive claim to possessing psychic abilities.

These magnetic mediums are then set up to three tasks per show to prove they have real powers. A panel made up of sceptics and believers mark each performance.

This is compelling viewing, whether you believe or not. In each show a different philanthropic multi-millionaire says goodbye to the trappings of success.

Their mission is to get to know as many people in the community as possible and to identify the most selfless and worthy — those who do wonderful work for little or no reward.

After two weeks incognito, The Secret Millionaire donates life-changing sums of their own cash to deserving candidates and charities.

The definitive guide to looking good with your clothes on or off, this is a primetime show that loves natural women. From the slim to the curvy, grannies to teens, and all in between — without a surgical knife in sight!

Hosted by a fashion expert not afraid to tell a few home truths, it includes plenty of how best to dress advice. This is a truly uplifting series for women of every shape and size.

Embarrassing Bodies The doctors will see you now The ground-breaking lifestyle format features straight-talking doctors highlighting an array of awkward medical conditions.

Embarrassing Bodies destigmatises these sensitive issues and deals strictly with the medical facts. Each show covers a range of very personal problems in patients young and old — from disfiguring skin rashes in intimate places to incontinence.

Breaking down taboos, relieving pain, preventing anxiety and saving lives, the doctors are impossible to shock.

Diabetes 97 Heart Transplant: Craft Britain Craft It Yourself. Up to people a day are pampered by 50 top stylists, beauticians and barbers.

It has become one of the coolest places to go in the north of England. Now with exclusive access, for the first time ever we see everything Renowned for his flamboyant designs, and eye watering price tags, stylish women from all around the world flock to his exclusive London boutique to find the dress of their dreams.

From blushing brides to extravagant VIPs looking for a gown to light up the night, Ian and his team of colourful characters, including the lederhosen wearing Danish florist Jens, are the people to go to for a dress to impress.

Prepare yourself for millions of sequins, miles of lace and most importantly bottomless glasses of bubbles! Set on the Mediterranean island of Cyprus, this popular documentary series follows the trials and tribulations of a dedicated band of wedding planners who make weddings possible.

The series captures all the drama, laughter and emotion as brides and grooms get set to tie the knot. This series follows all the ups and downs as staff and guests collide in a high stakes drama of tears, tantrums and plenty of wedding tiaras.

But when it all comes crashing down, it seems the bigger the money, the bigger the fight. This entertaining programme meets successful people who love nothing better than spending their cash.

This documentary offers a glimpse into the world of high-profile divorce cases for the super-rich where millions of pounds are at stake — and London is the battleground.

This film follows two ex-wives who went into battle with their exes, spending millions of pounds and years of their lives in the process.

Are these women out to rob the men of every penny they can get, as the press often suggests? Who Dares Wins The ultimate test.

Who will pass Special Forces selection? In series 3, 25 civilian recruits are pushed to their limits in the extreme and unforgiving terrain of the Atlas Mountains in Southern Morocco.

Over five thrilling episodes the recruits are thrown in at the deep end as they endure punishing tasks derived from actual Special Forces Selection. This time the Directing Staff DS and recruits are based in a makeshift training camp inside a year old Kasbah in the foothills of the Atlas Mountains.

The soaring temperatures, surrounding arid landscape, vast mountains, canyons and deserts all trigger memories of the environments where the DS have fought during recent wars.

For them, this is the terrain of modern warfare. As the recruits progress through the course, they discover harsh truths about themselves whilst revealing and facing their fears.

For many taking part, this will be a life changing experience, but who amongst them has what it takes to make it through to the end? Minnow Films for Channel 4 Series 1: Mastiff Denmark for TV2 Series 1: Channel 4 UK — consistently high audiences across 3 series, especially strong for young demos Series 3 averaged 2.

With hundreds of new cases every month, from rabbits with broken legs to dogs with cancer, Fitzpatrick Referrals is one of the biggest and best veterinary hospitals in the world.

Every animal emergency has a deeply human subtext. Charismatic and passionate surgeon Noel Fitzpatrick leads a team of nurses, physiotherapists and hydro-therapists.

With multiple operating theatres, a rehabilitation pool and a radiology department, the level of care would satisfy human patients.

The Supervet follows Noel and his team over several months. Films for Channel 4 Series 1: The Secret Life Of 4, 5, 6 Channel 4 UK — continued success averaging 2m viewers per episode across all series Adapted in multiple countries.

The much loved and award-winning series returns with an all new cast of children The programme that lifts the lid on the drama of life in the playground is back, offering an intimate and fascinating window of the ups, downs, tears, tantrums and triumphs that unfold when a class of children meet each other for the very first time.

Watching all the drama and on hand to offer their expert insight are a team of child specialists. The Secret Life Of Kids USA This US adaptation of the series reveals drama, hilarity, and triumph when children cross the threshold from family life and step into the complex social arena of school.

Filmed in a specially rigged preschool setting in Los Angeles, with a group of five year old children from across America, each episode observes kids as they take part in creative activities designed to explore child development.

The Secret Life Of 4 Year Olds Australia Lifting the lid on a world that adults rarely see, this ground-breaking format moves down under to eavesdrop on the wonderful world of four and five year olds.

It reveals their ups and downs, their tantrums and achievements, and every friendship and fallout to capture the essence of life through the eyes of a child.

From the country that first gave women the vote, these two special episodes take a secret peek into the world of five and six year old girls in New Zealand.

Follow the conversations, challenges and even a pretend election set up for the girls in a school rigged with cameras.

Saving Lives At Sea Heroes on the water Every day around the UK, an army of unpaid volunteers put their lives on the line to try and save complete strangers.

From the north of Scotland to the south coast of England, in holiday resorts, working harbours, and on the River Thames, volunteers are ready to launch their boats and race to the rescue within minutes of a cry for help coming in — 24 hours a day, days a year, whatever the weather.

This series take us right into the heart of the action, capturing the unpredictable work of the RNLI in neverbefore-seen detail.

Equipped with their own cameras the crews provide a unique insight into every call-out as only they see it.

From high speed collisions, overturned lorries, drivers stranded on dangerous busy motorways and drivers trapped for hours in snow storms, viewers follow the emergency services and breakdown recovery teams who risk their lives to come to our aid when weather brings chaos to our road networks.

In season 2, breakdown patrols are stretched to the limits as they battle the elements to rescue motorists in danger as freezing conditions see a dramatic surge in rescue call outs.

Will they be able to keep drivers on the motorway safe as the conditions worsen and visibility drops to zero?

Special Edition Films for Channel 5 Series 1: This emotional, fast paced and ratings winning series features dramatic stories of people at the sharp end of debt and those whose job it is to get the money back.

From birth to death and everything in between the hardworking front line staff see us at our best and our worst, gaining a unique insight into how we really are.

This series combines extraordinary access, jaw dropping actuality, and frank in-depth interviews with emergency services staff and the members of the public they come into contact with.

Full Custom Garage One of a kind vehicles for eccentric clients Full Custom Garage is an automotive reality series featuring car customiser Ian Roussel.

Building unique vehicles for unusual clients, Ian entertains viewers with his unique ability to transform discarded objects into wild custom cars.

These tics often break societal taboos around race, sex and class. Not surprisingly, the family have kept to themselves for many years to avoid public embarrassment and hostility.

In this film the parents decide for the first time since the diagnosis that their kids deserve the same childhood as any other.

From meals out, to their first trip abroad, we follow their first steps into the world, which prove to be both extremely challenging and rewarding.

Many have spent their lives hiding from the world. A collection of intensely personal stories from people who have faced the kind of adversity most of us will never have to deal with.

The stories open our eyes, teach us something new, and remind us that despite our differing life experiences we are all human.

Following on from the successful first two seasons of I Am Innocent, this series features topics covered such as transgenders, aspergers, brain injuries and HIV.

This ground-breaking factual entertainment series features people with type 2 diabetes attempting to reverse their condition by living on a radical liquid diet, potentially saving their lives - and the National Health Service billions of pounds.

The patients enter the clinic for the initial four weeks of their diet, facing a host of tough challenges on the way as their ultra low-calorie diet kicks in.

The patients face their biggest challenges as they head home from the clinic to attempt to reverse their condition. A procedural breakthrough now allows doctors to reanimate organs, medicate them and keep them alive outside the body, keeping the deterioration process at bay whilst they are transported to the recipient patient.

With unprecedented access this documentary shows amazing new technology in action. Obese people go on a journey to heal their mind, body and soul This series follows the journey of eight obese participants as they discover the barriers preventing them from optimum health in mind, body and soul.

In each episode, one participant seeks to understand and overcome their negative coping behaviours, all with the encouragement and insight of various Canadian Paralympian and athlete experts who have.

At the end of three months, each participant tackles a physical objective that reveals how their lives and attitudes have progressed over the course of their journey to health.

This film examines the changing world of gender and identity in society today Transgender model and social activist Munroe Bergdorf becomes both author and subject of her first documentary.

Controversial and deeply personal, this film sees Munroe undergo dramatic facial feminisation surgery, walk the runway at New York Fashion Week and has her brain scanned in a cutting-edge gender experiment, all the while exploring her own identity.

Throughout Munroe is challenged by those with opposing and radical opinions in what has become one of the fiercest social debates of the decade.

Cosmetic surgery is no longer the preserve of the rich and famous. In Thailand, prices are so affordable that tourists flock from around the world for a nip, tuck and tan.

Determined to change the way they look and feel forever, they order everything from dental implants and liposuction to full sex change operations.

Their guides on these exciting, painful and liberating journeys are caring and entertaining group leaders. Many have suffered botched surgeries or disfiguring treatments.

This pampered paradise represents their last hope of a better life. Or is the solution to a healthier and more beautiful life to be found in advancements of modern medicine and technology, such as plastic surgery, medical age management, hi-tech gadgets for beauty and health, and apps for fitness?

Chimp Sanctuary Sue Perkins meets laboratory chimps starting a life of retirement in Louisiana After a recent change in US law, decades of medical testing on chimpanzees has been brought to an end.

This film follows six chimps as they settle in to the sanctuary after an mile journey from a laboratory in New Mexico to rural Louisiana.

In total, Chimp Haven houses over medical research chimps who have been retired from laboratories to live out their days in beautiful forested surroundings.

In the wild, chimps live in mixed-sex troops but these six girls have never lived with a group of boys before. The introductions are a tense time for both the sanctuary staff and the chimps.

This film also investigates chimpanzee testing and whether the medical advances to human health have been worth it.

Georgia travels to America to meet a medical expert in dwarfism with the hopes of finally getting her condition diagnosed. She also finds out about using cannabis oil for pain relief and goes to the Reading Music Festival with her best friend.

Despite her health issues and lack of mobility, Georgia learns that with resilience she can follow her dream of becoming a qualified makeup artist and set up her own vlog — but will she allow her condition and day to day challenges hold her back?

Making Child Prodigies They are the exception, not the rule, mastering a skill to rival the most talented adult This series takes five children who excel in an area of the arts or sciences and asks: Does exceptional talent at a young age come from nurturing?

Or is it in the blood? What drives them, and what family conditions maximise their potential? This series meets two remarkable musicians, a ballerina, an artist and a young rocket scientist intent on changing the world.

Making Child Prodigies charts the emotional journeys of unique children as they strive to fulfil their potential and discovers that being exceptional can be both a joy and a curse.

What made them the killers they became? Key moments can be traced which reveal when a serial killer began his or her murderous journey; from sinister childhood experiences, adult knockbacks, detectable mental frailty to narcissism and an absence of empathy, this series looks at the triggers that kick-start their psychopathic behaviour.

Criminologists, psychologists, journalists and detectives come together to reveal exactly what the telltale signs are and analyse the chilling behaviour of the killers who have murdered; over-and-over again.

Video captured by family members, security cameras or released by police, reveals a dark truth. Serial killers look, act and sound like people we all know.

With dramatic reconstructions and interviews with those intimately involved in the story, this series brings science to true crime.

First Look TV Series 1: Killer In Our Classroom: He killed 14 pupils and three members of staff. In the aftermath of the shooting, the surviving pupils organise what has become a global, youth led movement for stricter gun laws in America.

Under the NeverAgain, the pupils take on the authorities who they feel have failed them. This film follows some of the pupils as they campaign for change and explores the lives of some of those affected by the shooting.

When it comes to kids who kill, the U. In a landmark Supreme Court ruling now controversially gives child lifers the chance to walk free, by giving them a resentencing hearing.

As the nationwide resentencing of juvenile lifers begins, journalist Susanna Reid travels to America and follows the hearing of one of the most notorious child homicide cases ever to hit Jacksonville, Florida.

Susanna meets the people affected by the crime and meets other juveniles convicted of some of the most shocking crimes imaginable and asks what should we do with children who kill?

Real crime, real drama, recreated Action-packed re-enactments of real-life crimes show local cops handling everything from gritty murder cases to quirky misdemeanours.

With a likeable neighbourhood police force, a typical episode features three distinct storylines; from an investigation into a local murder, a spate of burglaries or following an elderly drink driver causing mayhem on his mobility scooter.

Every story is rooted in reality, and based on real world events. Killer On The Line calls are not always what they seem This true crime series revisits murders in which the first call to emergency services was made by the killer in an effort to create a false narrative and divert suspicion from themselves.

Featuring interviews from family members, police and other primary source witnesses, each episode explores how the perpetrators of these crimes attempt.

Each episode focuses on a single story brought to life by cinematic drama reconstructions, archive material and first hand testimony.

Nine Network Australia — flagship factual series consistently ranked in top 10 programmes of the day. Catching drink-drivers in the act This is an observational documentary series that follows police and their endless fight to stop drink and drug driving.

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Will the mediums be able to use their remarkable gifts to channel the victims, and will their last moments be revealed? This unique fly-on-the-wall reality series brims with action as it follows urban cops on the beat.

In each episode, Police Ten 7 takes the audience behind the scenes and reveals a gritty,. Confronting families with out-of-control spending, Alex Jones and Steph McGovern are on a mission to change the way people shop without changing their lifestyle.

Gregg Wallace and Chris Bavin confront families whose food bills are spiralling out of control to show them simple and effective ways to save a fortune on their shopping.

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This food television series follows successful personal chef Neill Anthony in his homeland of South Africa. Neill is invited to cook in the homes of prestigious clients, acquaintances and friends for their personal dinner extravaganzas.

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It follows these aspirational people at a crucial point of expansion, upheaval and challenge. From huge farmhouses to town apartments, centuriesold villas to cutting-edge modern architectural masterpieces, many countries are full of beautiful, surprising and absolutely unique homes.

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Location Location Location The original and longest-running property show This worldwide smash hit features trusted property experts Phil Spencer and Kirstie Allsopp helping struggling house-hunters to find their dream home.

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Embarrassing Bodies Exploding myths about mortifying medical conditions This groundbreaking lifestyle programme features straight-talking doctors highlighting an array of awkward medical conditions.

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Maverick Television for Channel 4 Series The Ultimate Disco Movie Film celebrating the 40th anniversary of the blockbuster dance movie John Travolta, Barry Gibb and other members of the cast and crew give gripping accounts of supreme success against a backdrop of setbacks and unexpected twists and turns.

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This film is a fascinating look back on a life spent making provocative works of art with his wife and partner Jeanne-Claude. His trial and persecution for homosexual crimes became and remains the prevailing lens through which many look at Wilde.

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But who could possibly buy it? The world soon knew the answer. The Louvre bought it. In this programme, art historian and Dubai resident Rose Balston looks at a cultural phenomenon that is changing the shape of the art world.

The Gulf States are on a cultural spending spree as they invest in world class art and architecture, launch new international galleries and fill them with historic works.

Petro rich, their purchasing power is hard to match and their strategy of using culture as soft power on the world stage is clear to see.

Each heat sees eight professional and amateur artists complete a landscape work in only four hours to impress the judges. Storyvault Films for Sky Arts Series 1: Open to amateurs and professionals, the entrants are whittled down by a panel of expert judges.

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Craft Britain A celebration of all things handmade Make! Craft Britain follows ordinary people having a go at new skills taught by inspirational teachers.

Each episode offers a tale of two workshops as they take place. Watch as total novices master the art of mosaics, get the hang of hooky rug-making and try their hand at silver jewellery, as well as learning traditional letterpress printing, cross stitch and knitting techniques, all unleashing their own creativity in the process.

In every episode, IT consultant turned origami guru, Sam Tsang shows us how to create things of beauty out of simple sheets of paper including LED fairy lights, a family of penguins, and a snack box perfect for popcorn.

The joy of craft and our growing love affair with making things by hand This interior design craft series taps into the very latest trends and techniques from the worlds of furniture, baking, ceramics and textiles.

Fronted by three presenters with craft backgrounds they create beautiful and innovative objects, of varying degrees of difficulty and price.

Each week the presenters attempt to makeover a room in a different popular interior theme from Cuban to Boho. They are of course fighting for bragging rights on the best make.

They also visit master crafts people to road test crafts you can learn in a weekend, and on a budget. Martin Luther King and Robert Kennedy had been assassinated, the Vietnam War had worsened dramatically, civil and student conflict was spreading throughout America and Soviet tanks had crushed the Prague Spring.

For the first time ever, humans journeyed to another world, but amazingly what they. The mission captured the first-ever colour photograph of our planet from space to reshape how we viewed ourselves and unite mankind like never before.

Featuring a new and exclusive interview with Apollo 8 astronaut Bill Anders, who took the historic Earthrise photograph, this stunning, archive-driven documentary tells the incredible story of Apollo 8 and the environmental campaigns that followed.

The Last Survivors First-hand accounts of the Holocaust from some of the last remaining survivors Time is about to erase the last human voices that can tell us first-hand what happened during the Holocaust.

This landmark documentary gathers the powerful testimony of the last UK based holocaust survivors before it is lost forever. It follows survivors on personal, profound and momentous.

Chris meets holocaust survivors as they retrace their wartime journeys, including Helga Weissova, who as a young girl recorded her experiences in the horrifying Terezin Ghetto with drawings and a diary.

In Poland, he meets Arek Hersh, a former child slave who escaped death countless times in the Ghetto and at Auschwitz where he and Chris travel together to face up to the true horror of the Holocaust.

Powerful human stories from the Grenfell Tower fire tragedy On 14 June , the most devastating tower block fire in British history raged through a high rise residential building.

Grenfell Tower should have been a safe place to live, but the fire claimed the lives of 71 people and destroyed hundreds of homes. Filmed over the course of a year, starting immediately after the fire, this documentary features intimate and moving accounts from the men, women and children whose lives were forever intertwined and irrevocably changed that night.

The film also remembers those who tragically died, and hears from the survivors, the bereaved, the local heroes, emergency service workers and people in positions of responsibility before, during and after the fire.

On September 15th , Lehman Brothers declares bankruptcy. With billion dollars of debt and 25, employees worldwide, the event started the breakdown of the global economy and one of the biggest economic tsunamis of the beginning of the 21st century.

For the 10th anniversary of the largest bankruptcy of all time, this film reveals the full story. Former vice-president of Lehman Brothers, Matthew Lee, identified suspicious transactions several months before the crisis but was ignored and ultimately fired.

A group of whistleblower women from BNC Mortgage were intimidated and sexually harassed to try and keep their mouths closed.

Memories, fantasies, obsessions, and guilt are mixed in a masterful way. The studio closed after the making of the feature film Balto Afterwards, many of its animators worked for DreamWorks.

Asylum Film worked in commercials for many famous brands and produced animation special effects. This Is Where We Live is a commercial made for the twenty-fifth anniversary of the publisher 4th Estate.

A paper man comes out of a book on a shelf and begins walking through a city made of print paper.

Cosgrove Hall Films was one of the biggest and most productive European studios, dealing with every kind of animation.

It was founded in by Brian Cosgrove and Mark Hall, directors and producers. Count Duckula — was a perhaps more sophisticated comedy about a neurotic, vegetarian vampire duck and his towering castle servants, Igor and Nanny.

The comedy Albie , about the zany adventures of a little boy, combined traditional drawings with CGI textures.

Cosgrove Hall was closed by ITV in In , the studio was commissioned by S4C to make Happy Valley , a preschool series illustrating nursery rhymes and doggerel.

Griffilms Studio deals with original niche productions, realized for the most part in 3D and computer graphics. Sullivan Bluth Studio found itself in financial difficulty after the poor box-office returns of its features All Dogs Go to Heaven and Rock-a-Doodle In , it closed.

All this coincided with the introduction of digital technology, which caused the downsizing of animation studios worldwide and allowed indigenous entrepreneurs to think big and spend little.

The gap left by the big studios started to be filled by brand-new ones. Animated auteur shorts also got under way, mostly thanks to the reestablishment of The Irish Film Board in It was called Frameworks and was an annual money award for a selection of animated shorts.

These shorts were launched at the Galway Film Fleadh, the oldest animation festival in Ireland. Frameworks was followed by similar schemes including Oscailt and Short Shorts, open to both live-action and animation.

Irish Flash, made to encourage new animators working in this digital format, opened in and ran for four years.

As well as schemes for shorts, the agency also invested up to 1. The Irish Film Board was an enormous supporter of the animation industry, developing and investing in new and established talent through the late s and the s.

Such funding helped the industry grow and gave independent animators opportunities to develop their own projects. Despite all of this, the industry was — comparatively — still small.

Many studios produced series for international clients and developed original projects in parallel. This continual change of register is probably the strength of Irish animation.

All were funded by the IFB. There were also several literary adaptations. Among the large studios, Quin Films 28 and Fred Wolf Films remained active in the mids, mostly producing television series.

In , it split into Monster Distributes, which finances and distributes TV series worldwide, and Monster Animation, which creates the animation.

London, , creator of the series Fluffy Gardens and Ballybraddan He also directed the shorts Dublin 1 and Not There Yet , the latter about the Irish transport system and the daily obstacles for travellers using it.

In , Cathal Gaffney b. Dublin, founded Brown Bag Films. It originated in a set of s recordings of children reading Bible stories, made by a teacher as a learning aid.

Animated in a documentary style, complete with wobbly camera moves, the film has a little girl give her own version of the John the Baptist story. In another Brown Bag production was nominated: It is a comic version of Sleeping Beauty, made in a mix of 3D and droll flat animation.

The short renders the nineteenth-century cultural mood in a nightmare atmosphere mixed with irony, ridiculing death to exorcize it. Loocymoon is a 3D dreamlike story about a little girl who is enchanted by the moon.

In he directed Guns, Bees and Tadpoles in which a summer day for an ordinary family becomes the pretext for a depiction of s Northern Ireland.

In , Tomm Moore and Paul Young brought together a group of young animators and started an informal partnership. This grew into the Cartoon Saloon studio in Kilkenny, southeast Ireland.

The studio produced high-quality commercials, films, and series such as Skunk Fu! A comic artist and illustrator, Tomm Moore was born in Newry in He directed two shorts, Dress Rehearsal and Couch Potato , before devoting himself to his first feature, The Secret of Kells.

The project, developed and directed with Nora Twomey, came from an ambition that Moore had since his college days to base an animated film on something significant in Irish art.

The film imaginatively retells its creation. Brendan is a twelve-year-old orphan who lives in the Kells monastery and likes to spend his days in the scriptorium.

Brother Aidan, a master illuminator, appears one day with a manuscript of great beauty. The boy is also helped by the fairy girl Aisling, who becomes his best friend and a vital ally.

The overall style is inspired by Celtic and medieval Irish art — from the masterly backgrounds created and overseen by the art director, the painter Ross Stewart, to the character animation.

The latter was originally planned in a Disney style but went through a progressive simplification. The movie was applauded by the critics and the public, receiving an Academy Award nomination in and audience awards at the Annecy and Edinburgh film festivals.

In , she directed her first short, From Darkness , blending traditional hand-drawn figures with computer-generated backgrounds. The plot is from an Inuit folk tale.

A woman cast into the sea returns in the form of a dreadful skeleton and appears to a lonely fisherman. The poetic, wordless film has a superb opening sequence and a touching passage portraying the regeneration of the body; such elements make the film at once powerful and delicate.

Made as a fake commercial, Celtic Maidens pokes fun at the international Rose of Tralee competition, celebrated among Irish communities all over the world.

Maeve Connolly observed Celtic Maidens sharply identifies it as a point of convergence for a set of enduring myths concerning Irish emigration, feminine purity and rural identity […] Much of Celtic Maidens is characterized by the linear aesthetic of cel animation and graphic caricature, but the opening sequence employs photographic landscape imagery, evoking an array of cinematic and photographic texts, from The Quiet Man John Ford, to the postcards of John Hinde and photomontage pastiches of Sean Hillen.

A boy, born with his head backwards, manages to be accepted by other people and, above all, by his father.

The short blends various techniques to create different textures and the comedy and drama are well mixed. Magma Films, in Galway, focused on feature films as well.

Kavaleer Productions was founded and led by Andrew Kavanagh b. The animation follows his stream of thoughts, creating a colourful, changeable mental universe through crude, raw drawings and expressionistic colours.

In Kavanagh directed The Milliner , an allegorical tale about the individual versus the masses. The short is set in a perfectly organized world populated by identical individuals drawn as hundreds of jigsaws all wearing the same bowler hat.

A random error sets off a chain of events that will eventually break the mechanical efficiency. The short shows the troubled dreams of a writer who falls asleep on his notebook.

The essential, elegant drawing and symbolic colours suit the fine characterization. The short depicts real and imaginary scenarios, climaxing in a poetic ending.

In , Alan Shannon b. Kerry, and Mark Cumberton. He directed and animated commercials and series as well as a short. Badly Drawn Roy is an ingenious fake-documentary about an animated boy born in an ordinary live-action Dublin family.

The latter is a witty tale made in a cut-out style. It combines a range of materials and elements — cardboard, tinfoil, paint on glass animation, and Super 8 film footage together create a dreamy, handmade look.

In , Louise Bagnall b. Dublin, joined the studio. She animated and directed Colour Contamination portraying a white, clean-cut businessman who must face his worst fears in a colourful world, and Donkey One of the first Irish animators was Steve Woods b.

After a visit to the Annecy festival, he changed his view about animation and came to see it as a form of art.

After that, he used animation for criticism and denunciation. It is presented as if through a camera, forty years before the birth of cinema.

The photos refer to illustrations of the Great Famine, such as those published in the Illustrated London News.

The references to early cinema and photography reflect the self-reflexive medium. The rest of the short uses traditional cel animation to describe, through almost achromatic and childish drawing, the inner world rising from his yearning for freedom.

The Trial of Solomon depicts the trial of Solomon Tellirian. Dublin, began a career as a painter and designer and in the course of this work discovered animation.

In he made The Prisoner , a look at the life and work of the Irish poet W. Ulys is an irreverent caricature of James Joyce, dealing with his struggles to write Ulysses.

After making these films, Booth left animation to work as a painter, musician, and comic-strip artist. Pieperhoff made many literary adaptations from myths and legends.

Orpheus retells the Greek myth. A monk spends his day copying manuscripts but the harsh working conditions inspire flights of fancy; his poetic imagination compares his life to that of his cat.

How It All Began , made with oil on glass , is a lighthearted retelling of a Central American creation myth.

Skeleton Woman reinterprets an Inuit tale, animated with a powerful, high-contrast, stylized stroke. Fairy Wind again uses crayons on paper, in a beautifully naive style.

Another German woman in Ireland, Stefanie Dinkelbach b. Dernbach, Germany, started making films after studying ceramics in Cardiff.

The latter, based on a Franz Kafka story, deals with the endless journey of a messenger sent by a dying emperor. Completely shot in black and white, it uses suggestive weaves of shadows, a mix of model animation and cutout.

The cutouts enhance the evocative, enigmatic atmosphere. Aunt Bridget , based on a story from the childhood memoirs of the poet and novelist Patrick Galvin, is set in Cork in the s.

A woman courageously lives the life of an artist at a time when this role was restricted to men.

In , Dinkelbach moved into more experimental language with the black and white Joy. The film represents the ascent of a spirit to heaven, accompanied by the music of Olivier Messiaen.

The result is rather abstract, with music as the key element. Letterkenny, Donegal, directed Pullin the Devil by the Tail , then turned it into a six-part series screened in Both the short and the series are eclectic mixes of tales told by Puca Ryder, an old Irish musician in his last days.

The stories combine many elements of rural Irish life: Dead Murphy is an absurd, hilarious story about a dead man meeting a killer. All of these films reinterpret the Irish stereotype, spoken in extremely vulgar English with strong Irish accents.

After spending ten years in New York, she returned to independently produce her films. Wilson has recurring themes: Rehy Fox , drawn on sand, is based on a folk-tale about a fox who outwits everyone around.

Among Strangers is based on the opening of the autobiographical book People of the Sea by David Thomson — She is a figure of Celtic folklore, an immortal woman linked to the landscape, the changing seasons, the storms, and the sea.

The film gives a poetic treatment to the ancient tale, introducing elements of contemporary life juxtaposed against the archetypal language of myth.

The pixilated animation is excellent and the film enchanting. Rory Bresnihan was born in Dublin in He then returned to Ireland to direct his own projects.

In , Bresnihan directed Ape , a spoof of Mafioso-style films with an acute sense of humour. Like many Bresnihan characters, the protagonist is a maniac, a zookeeper obsessed with catching his escaped orangutan.

London, studied in Dublin. Spied through an eyehole, an old man takes a stray dog into his house; this action will cause his ruin.

The black and white, rough-sketched drawings give quaintness to the nightmare scenario. Dick Terrapin uses a more childish animation style for a crudely humorous story about a boy and his pet turtle.

Dublin, earned a degree in visual communications at the National College of Art and Design in Dublin. His graduation film was The House on Dame Street , a dark and gloomy story.

An investigator gets lost in a house and faces absurd, grotesque situations. The spectator is dazed and amused at once. In , Robinson directed a series of six commercials, Milk , made for the milk board of Canada.

Later, he directed several award-winning commercials, including Einstein and Thorntons Chocolatiers A completely self-taught animator, Glenn Marshall b.

Belfast, made his first commissioned short, Butterfly , in , using 2D and 2D software. Its dominant pattern is of wings in movement, creating a hypnotic world.

The combination of light and dark, and abstract shapes, sounds, and colours creates inner resonance and synesthesia.

They included generative art pieces created entirely by the computer with programming and mathematical codes.

These works employ algorithms applied on a biomorphic shape. In he directed Changes , an ironic story of two caterpillars, animated with a mix of drawings and real backgrounds.

His style combines flat drawings with filmed reality, continually exploring new technologies and forms of expression.

He made several video clips and commercials, as well as a music video for the band Sickboy, Silence in Conversation It was active from to in the production of experimental music videos, performances, interactive installations, comics, and workshops.

In , Kidney directed Stars. It tells the story of Sophie, an ill young woman who experiences synesthetic hallucinations.

The short was first shot in live action, then edited and used as both storyboard and animation reference. The style switches from 2D rotoscoped animation to fully rendered CGI to motion graphics, in order to reflect the experiences of the characters.

Kilkenny, was a supreme talent of his era. Later he quit to work independently and develop his own projects. He also freelanced for clients such as Sony and the BBC.

At that time, he started to experiment and created his first works. Octocat Adventure was released in five parts on YouTube; it is presented as the work of Randy Peters, a nine-year-old kid from Chicago.

The series tells of a cat with octopus tentacles looking for his lost parents. His style mixes many contemporary visual sources: RGB XYZ , for example, has an insignificant plot, but its rough animation, inspired by early video games, appeal to different ages — to viewers who relate it to their childhoods and to those who find it old-fashioned.

The latter, the story of a dysfunctional mouse and cat couple in a futuristic city, resisted any polished appearance. It is a visionary, crude look at contemporary society, in which reality and fiction become indistinguishable.

Between and , French animation changed radically. The impetus given by government programmes, the rise of digital animation, and the growing number of dedicated schools propelled the nation into becoming the third largest animation-producing country, behind the United States and Japan.

In , animation accounted for 35 percent of foreign sales of audiovisual programmes, worth French production grew so much that it became almost impossible to screen all of the films produced in France, including the ones made for television and the Internet.

The number of animated features multiplied. TV series adopted a modern tone and digital fabrication. Short films were made in abundance and screened throughout the world.

Animation penetrated everywhere, including video games, another French specialty. The media informed the public at last of the nature of animation, declaring that it was an art form and boosting its position in the culture.

In addition to the increase in quantity, there was also an evolution in the styles and work philosophy. It was now possible to work cheaply from home, and a large number of people in animation could live from their trade — a breakthrough made possible by the digital revolution.

Not long ago, the production of an animated feature film seemed financially unrealistic. The prevailing attitudes were that this format should be aimed at children and therefore had a limited audience; that originality represented a major risk; and that international distribution was unpredictable.

All of these attitudes dampened the spirits of producers. It was made with a modest budget and drew from African, not French, culture.

Its sequential narration was outside the norm; it was from a director known only to fans; and it was unexpectedly successful. That Ocelot could make an art-house film for a large audience and profit from it was a revelation to the industry.

The door had opened at last. There was one French animated feature produced in , eight in , and seven in More animated features were made in France in the early twenty-first century than ever before.

Generally they were made with European partners, as much to limit the initial investment as to ensure presales to distributors.

This way of operating contributed, of course, to the identification of a common European culture — even if the films lean more toward specific cultures.

Since , nine animated feature films have been seen by more than a million viewers around the globe seven in France. Ten out of 31 films made in France had more sales abroad than in France.

The expansion in production represented a feast for directors who had dreamed of making a feature. Jean-Francois Laguionie had encountered difficulties in producing and directing Gwen in the beginning of the s.

The latter is a magnificent homage to the adventure story, in the mode of Robert Louis Stevenson. The two features signal the changeover from paper cutouts, which the director loved, to classical animation on cels.

In the same way Michel Ocelot, a storyteller if ever there was one, considered the feature an opportunity to develop richer narratives and a chain of productions.

The relationship between animation and the comic strip has always been narrow and debatable. Very often, the film just enhanced the printed original.

Two important factors modified the relationship between the media: Asterix et les Vikings , a coproduction between France and Denmark, is typical.

However, compared to the output of Belvision or Gaumont in the preceding decades, it seemed there was less demand for such productions.

Also, the growing number of diverse American and French adaptations of comics into live-action films encouraged the public to accept a drawn figure becoming a flesh and blood actor.

It was no longer always necessary to draw the characters to make them live on the screen, and animation became optional.

The low cost of publishing a comic strip facilitated the freedom of expression and style that one finds in animation when creators jump from one domain to the other.

Among writers, Jean-Luc Fromental b. Conflans-Sainte-Honorine, 15 May used cutouts to add movement to the graphic universe stemming from his colourful, morbid comics.

His work also includes several short films in live-action. He codirected the animated feature Persepolis , nominated for an Oscar with Marjane Satrapi b.

Rasht, Iran, 22 November , who wrote the comic on which the film was based. The film stands out from the usual adaptation of the comic strip to animation in several ways.

The film was faithful to the spirit of the strip — one legitimate change was that the strip was in black and white, whereas the addition of movement and the scale of the projection encouraged the filmmakers to add levels of grey.

Only a short time before, the subject matter would have been an insurmountable bar to the production of an animated feature film.

Each artist directed a sequence, which resulted in a patchwork film with very graphic interludes. Avalon, 9 July , was a futuristic film noir with a very rich script and visuals.

Again, it used only black and white, which matched the drama magnificently. Lyon, 29 September Early on they made comic strips together. Chomet worked for a while in England at the Richard Purdum animation studio before returning to comic strips in France.

The story is the quest of an old lady to find her grandson, a cyclist kidnapped and taken to the United States by the Mafia.

It is about an ageing stage musician modelled on Tati who ends up travelling to Edinburgh with an impressionable young woman.

There are moments of perfection in the film, which exhibits spectacular know-how, though the soul is a bit lacking.

In a short time Chomet found a personal style, though not without influence, centred on the dramatic quality of his characters, who are often caricatured and animated with care.

Chomet also knows how to avoid chatter, one of the plagues of animation. Mars, 7 March , founder of the studio Folimage, was the producer and director for numerous shorts, feature films, and TV work.

It is a Christmas tale with an honest technique based on pastels. There is a sort of paradox here, because the films made at Folimage are immediately recognizable but are often made using very different techniques.

Their purpose was not just to launch a traditional animation industry but also to prepare France for the arrival of new technologies.

The union of Sogitec, a company specializing in flight simulation, with Thomson Digital Image, gave birth to Ex Machina. For a time, this was the most important studio for computer images in Europe.

They worked first for the advertising sector, then for feature film and shorts, which were often directed by young talents during their spare time.

This development in special effects, often using animation, soon crossed frontiers and the know-how was used in big American productions.

They grew up with the aesthetics and techniques of contemporary computer images. Creators explored several routes, determined to master the tools and yet keep their own style.

The tools used were very diverse, especially at the beginning, and the choice of tool had a crucial impact on the visuals and final animation.

In the beginning of the s, computer imagery still had restrictions that the directors had to get around, one way or another.

Character representation remained especially delicate. Paris, 6 March , for example, has an invisible man as the main character, so only the objects he touches needed to be animated.

They often hijacked classical works. Paris, 12 October , after Magritte. Numerous bridges created by the tools encouraged certain artists to mix 3D, rostrum camera, classic animation, and video effects.

Paris, 9 June Nantes, 2 April ; and the work of Alain Escalle b. This beautiful and almost unknown short imagines that a nineteenth-century merchant is given a map that draws itself according to the place it is brought to, with fantastic results.

Above all, the digital image developed around the traditional idea of a visual show, with a desire for formal research at the same time.

Nevertheless, the creators linked to the development of the technique were often programmers who pursued deeper research.

For example, Michel Bret b. Elorap is based on an animation of behavioural synthesis; Cahincaha uses a connectionist method. Ex Memoriam is largely based on metamorphosis.

Dakar, Senegal, 6 April , develops graphics close to wood engraving; in the symbolic story, a woman has her husband plugged into an orifice in her stomach.

The fantastic and poetic universe of this master of timing was developed in a realistic way, using the full possibilities of the computer and with special attention to lighting.

Brussels, Belgium, 29 December received a diploma from Supinfocom and was an illustrator and author of comic strips. The imagination, the highly developed soundtrack, and the deliberate choice of crude lighting give his style a powerful identity.

Grammaticopoulos bends the computer to his artistic wishes, offering an original and personal vision.

Geoffroy Barbet Massin b. Lisieux, 2 June worked at Mikros Images. Nourished by American and Japanese productions and helped by contemporary production methods, the new TV directors constituted one of the spearheads of French animation.

Code Lyoko accounted for 46 percent in Galicia Spain. Les nouvelles aventures de Lucky Luke had more success in Germany than in France from to , 43 million Germans watched the series, compared to 41 million French.

It was a completely new situation. Before the beginning of the s the number of productions was low and, in spite of some courageous attempts, often very conventional.

The opening to exterior influences brought new creativity. The most surprising thing about the new generation of French TV productions was its diversity.

What was the connection between the adaptation of Titeuf from the comic strip by Zep , Skyland by Emmanuel Gorinstein b. Thiais, 27 April , and Foot 2 rue by Marco Beretta?

The producers proposed modern concepts, encouraged by commercial success and the renewal of ideas and graphics. Many things are clear when one considers the development of short films.

First, the script — very often the poor relation in personal films — came back into play. Influenced by the American cartoon and with generally similar techniques mainly 3D , or influenced by British productions with Plasticine , some of the new directors wanted to entertain as much as they wanted to make a personal film.

This desire to please caused them to abandon slow timing and minimalist animation. The Anglo-Saxon animation models were popular, as was the Japanese model France was the second biggest consumer of manga after Japan , because the classical history of animation was scarcely known by newcomers.

They fished in common waters for models, and influences passed from one director to another. There was a tendency towards uniformity in production, especially in graduate films.

Yet the models were often excellent and lifted the quality of their imitators. This led to French films being regularly represented at festivals and being nominated for Oscars, even winning one Logorama , , by the collective H5.

The outburst of expression was made possible by a large number of new production companies appearing from the s: The panorama of styles was amazingly wide.

Another evolution, not to be ignored, concerns the marginalization of short films. At one time many directors, in spite of personal and financial difficulties, would dedicate an important part of their career to making shorts.

However, for many newcomers, the short only represented a parenthesis in production. Fewer professionals continued to make short films after their graduate work.

These school films often served as just a professional trampoline, made expressly for festival presentation. The new animator, armed with his film as a passport to the professional world, often abandoned the short once he was established.

Graphic artist Daniel Guyonnet b. Neuilly-sur-Seine, 26 March worked primarily in pixilation and most of his films were directed with Franck Maigne.

These shorts were technically prepared with extreme care for months, which ruled out nearly all improvisation. The film described the horror of World War I trenches; the clay soldiers mix into the background mud.

Paris, 13 October made her first film, Bisclavret id. With elegance and fineness, the film adapts The Lais of Marie de France 44 in images. Saint Chamond, 30 July and Catherine Buffat b.

Most importantly, he was the director of Destino id. Sarah Van Den Boom b. The classical graphics present the beautiful story of a man born on a ship whose only reason for living is his piano.

His sensibility for dance was developed in the framework of three short animated films. It is obscure and full of sensibility. At the end, Demuynck plays with the images in a surprising way.

Hymns to motion, the films of Arnaud Demuynck have a profound humanity. Lille, 6 February was discovered by Les films du Nord. Erevan, Armenia, 1 December was an actor in films and theatre and film director.

Obsessed with memory, he specialized first in documentaries. His work in animation is also an illustration of history. Despite a certain technical awkwardness, the film is characterized by real honesty.

Raoul et Jocelyne is sensitive and funny, with beautiful, simple graphics. A little girl flees the brutality of her adoptive parents and seeks refuge with a unicorn.

While we sometimes wonder what audience the film is addressing children? Then she directed Vos papiers!

Her style in water colour is immediately recognizable. The personality of Georges Sifianos b. This film, made with marionettes, gives a poetic explanation for the moon rising in the sky; it is a little slow but saved by a mind-blowing ending.

The film plunges the spectator into the nineteenth century in the company of Alfred de Musset. Arthur de Pins b. The rhythm and drollery of the principal female character or, rather, a male character who wakes up turned into a woman brought de Pins immediate recognition.

Without abandoning animation, his career moved more towards the graphic novel. Aline Ahond is a visual artist who sometimes directs films in live-action often with live special effects or in animation.

There are also several representatives of a new school with a diversified style. He always employed a baroque and techno style and his lighting is well conceived and presented.

Savigny sur Orge, 18 December made Imago id. Paris, 13 February made Skhizein , a CGI story of a man hit by a meteorite who finds himself geometrically offset from the rest of the world.

It is a very good idea or probably a real schizophrenic mania and is well directed. These were made in a very personal style, using models or paper cutouts, with a quality of imagination suitable for children.

Le Mans, 21 April is a director whose name is linked to Ponpon , a model dog animated with humour in such films as Ponpon id.

Things are not so simple. What is the chief characteristic of French animation at the beginning of the s? If the politics of auteurs considering the director as a project supervisor generated many unsatisfactory films, the same politics have also encouraged a liberty of expression and allowed the development of original styles.

On the other hand, timidity and defiance towards the industrialization of production no longer exist. But, thanks to the high quality of animation schools, the profession was nourished and replenished with new influences.

Michel Ocelot, 46 who had already worked for television and directed several of the best French short films, saw his career take on a new lease of life in the s.

His transition to feature films, especially, brought him public success and international recognition. That he made the transition so late in his career might seem surprising, but for Ocelot the short format corresponded to a certain idea of precision and concentration that suits animation.

Nor did he abandon the short film. Like all creators who have fought a long time to finance and direct short animated films, Ocelot overflowed with projects and ideas.

Thus, when Didier Brunner from Les Armateurs proposed a feature, he barely hesitated and pulled out a project that he reworked in a week.

He stuck to a sequential narration, traditional dress for the African women who are often bare-breasted , and the nudity of the infant hero, out of respect for a culture he knows and admires.

I answered that he would have been a storyteller under a baobab tree. The reply seemed to satisfy him.

After conducting research and testing techniques to bring his vision of Persian miniatures to the screen, Ocelot chose the computer, mixing 2D and 3D aesthetics.

He wanted to blend the essence of a beautiful drawing with the magic of movement. In times troubled by the rebirth of conflicts between cultures and religions, the film is a humanist work showing human idiocies of all kinds.

In the story, a foster mother brings up her son Asmar, brown-skinned with black eyes, and Azur, the son of her master, who is white with blue eyes.

When he reaches a distant land where the people are scared of his light-coloured eyes, he pretends to be blind and is guided by a beggar full of bigotries.

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